Porn Valley- Amber Lynn issued a press release on LIB.com Monday night announcing that she had made a decision to dissolve the production known as WE ARE THE WORLD XXX. Which is like Hillary Clinton putting out a statement announcing that he wasn’t accepting the primary results.

But the comment that particularly intrigued a worn out Deloras Sullivan was Lynn saying that, “Wicked Pictures’ director Brad Armstrong has also requested that his scene shot expressly for WE ARE THE WORLD XXX be removed.”

Sullivan’s going, whaaaaaaa?

Basically Lynn has left the production in shambles and now it will be up to Ron Sullivan’s son, Jason, to put Humpty Dumpty back together again. And it begins with the model releases which Lynn has obstinately refused to give up.

Deloras Sullivan tells me she now begins the task of going back to everyone who was on the shoot and getting new releases. The issue with Vivid, who signed on originally as distributor, also has to be resolved.

“And I think we’re going to get Vivid to sign off,” adds Sullivan. “Then we want to correct as many signatures as possible and finish the movie.”

I ask Sullivan about Lynn’s Wicked comments.

“Jason talked to Brad, and they had a long conversation. They don’t want out of it. This is Amber trying to destroy everything in her path. If it can’t be her way, it can’t be. She’s vindictive, and I don’t know why.”

Another thing she doesn’t understand, Sullivan tells me she never knew people were sending in donations until she got an e-mail from Lynn to that effect.

To answer the question of movie, movie, who has the movie, Sullivan does. But Lynn did have it in her possession for a time.

“All she had to do was take everything to Vivid but she didn’t,” says Sullivan.

“She was getting some B-roles, but this thing could have been in post production. It could have been at Vivid.”

“Jason shot most of the movie anyway,” states Sullivan. “And he shot P.T.’s scene as well.”

The production was waiting on Paul Thomas’ scene to be completed.

After the movie was finished, Lynn took possession of it although Sullivan assumed it was in post. It was not. It was sitting with Lynn for what reasons Sullivan still doesn’t know.

“I had something like 50 e-mails from Amber- but there’s no conversation with this woman. It’s one-sided. If you get a word in edgewise, she’s still on her thing. Then it was all quiet for about two weeks. Then she said she was going to meet John Keeler, they were going to have a meeting and she was going to give the tapes to John. And John was going to bring them to me.”

“Amber then explained to me how she wanted to see this Vivid deal go,” Sullivan continues.

“Jason has a real good relationship over there and Ron does, too. I thought we could close the deal. She said I’ll send the tapes to you by John Keeler and I expected the package. I didn’t hear anything else. That was the last time I spoke to her.”

Sullivan eventually got the movie from Keeler who was apparently feeling uneasy about where Lynn was going with this.

“He called me up and said I don’t feel real good about this. I’m going to hang on to them which he did for another week or ten days. Amber then sent an e-mail to Ron that she had talked to P.T. and they were going to come to an agreement of some kind. John then gave the tapes to Jason. That was over the Fourth of July weekend. But after the weekend Amber started looking for the tapes again.”

“She said she was going to consult a lawyer and then she wanted a deal memo. But you can’t do that after the fact. The deal was in place, everybody said, yes, we’re going to do it. Except she now wanted Vivid to pay for the packaging, the sales crew, the distribution, everything, 100%. She knows a little bit of law, a little bit of wording and goes off on these tangents. She was basically strangling the deal. It couldn’t move forward. Everybody’s wondering what did she want.”

“What she wanted, was, she didn’t want to take it to Vivid,” concludes Sullivan.

“That was the original deal that Ron said yes to. Paul Fishbein had brought Vivid into it. I guess they had a conversation and Amber came to Ron. She said can I do this? I’ll get Raven Touchstone to help me write this, blah, blah, blah.”

My interview over the weekend with Touchstone was more than eye opening to say the least.

“People stayed and they took Amber’s guff because they wanted to show their love for Ron,” Sullivan observes.

“Amber could care less. I think there’s people out there who are not saying anything but they can really see what’s going on here.”

Before the re-shooting can begin, Sullivan sums it up by saying Vivid, who never wanted to deal with Lynn in the first place, needs to sign off and the Sullivans have to salvage the model releases.

“We’ll do that and then shoot,” Sullivan says, astonished how Lynn has turned her husband into the bad guy.

“I really don’t understand that.”